Rumi and the Annihilation Love Demands
I keep returning to Rumi's poetry when I'm trying to understand love, which probably means I'm asking the wrong questions. Or maybe the right ones. Rumi doesn't offer answers though. He offers vertigo. Reading him feels like standing at the edge of something vast and being told the only way forward is to jump.
"Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray."
It sounds comforting at first. Trust your heart. Follow your passion. The kind of thing you'd see on an inspirational poster. But the more I sit with Rumi, the more I realize he's not talking about comfort at all. He's talking about obliteration.
Because here's what Rumi actually believed about love: it destroys you. That's not a bug, it's the feature. Love, for him, wasn't about finding someone who completes you or makes you happy or any of the soft, safe things we've turned it into. Love was the force that burns away everything you thought you were until only the essential remains. And maybe not even that.
"Lovers don't finally meet somewhere. They're in each other all along."
I used to think this was romantic. Now I think it's terrifying. Because if lovers are already in each other, already part of the same substance, then loving someone isn't about connection, it's about recognition. You're not finding another person; you're finding the part of yourself that's been scattered across the universe. And to get it back, you have to give up the boundaries that make you separate in the first place.
"The wound is the place where the Light enters you."
This is the line everyone quotes when they're trying to make suffering beautiful. And maybe Rumi meant it that way. But I think he also meant it literally. The wound has to stay open. You can't heal from love and still have it. The light enters through the broken places, but only if you keep them broken.
What unsettles me about Rumi is how he romanticizes surrender. Not the gentle kind, where you relax into someone's arms. The absolute kind, where you cease to exist as a separate entity. "I am not this hair, I am not this skin, I am the soul that lives within." He's saying: everything you think you are is an illusion. Love shows you that. Love demands you acknowledge it.
"Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free."
This isn't about joy. Or it is, but it's the kind of joy that's indistinguishable from madness. Dancing in your blood. Dancing when you're broken open. The ecstasy Rumi describes isn't peaceful, it's the ecstasy of someone who has stopped resisting their own destruction.
"Why should I be unhappy? Every parcel of my being is in full bloom."
But here's the question I can't answer: Is that happiness? When everything you were has been burned away and replaced with this consuming devotion to something? To someone outside yourself? When you've become so porous that you can't tell where you end and the beloved begins? Rumi would say yes, absolutely, that's the only real happiness. That our misery comes from clinging to the self, and love is the fire that frees us from that prison.
I'm not convinced.
"Goodbyes are only for those who love with their eyes. Because for those who love with heart and soul there is no such thing as separation."
This sounds beautiful until you think about what it actually means. If there's no separation, then there's no you. No distinct person who loves another distinct person. Just one consciousness experiencing itself. And maybe that's enlightenment. Maybe that's what Rumi was pointing toward: the dissolution of the ego, the recognition that all separation is illusion, that we're all part of the same divine substance.
But what if I like being separate? What if I like being this particular collection of thoughts and memories and preferences, even if it's technically an illusion? What if the boundaries that make me me are worth keeping, even if they prevent me from experiencing the kind of cosmic union Rumi describes?
"Set your life on fire. Seek those who fan your flames."
Everyone loves this one. Seek people who inspire you, who bring out your passion. But Rumi isn't talking about inspiration. He's talking about immolation. Setting your life on fire isn't a metaphor for positive change. It's a literal description of what love does. It burns. It consumes. And if you're lucky, something new grows from the ash. But there's no guarantee of that. Sometimes fire just destroys.
What I'm wrestling with is whether Rumi's vision of love is transcendent or just trauma we've learned to call mystical. Because losing yourself in another person, being so consumed by love that your own identity dissolves- that's not always enlightenment. Sometimes it's just losing yourself. Sometimes the wound doesn't let in light; it just bleeds.
"There is a candle in your heart, ready to be kindled. There is a void in your soul, ready to be filled. You feel it, don't you?"
Yes. I feel it. That void, that hunger, that sense that something's missing and if I could just find the right person, the right love, I'd be complete. But Rumi's answer to that void isn't to fill it with another person. It's to recognize that the void itself is divine. That the longing is the point. That you're supposed to live in that state of yearning forever because the yearning brings you closer to God, to truth, to reality.
"Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground."
Maybe that's it. Maybe Rumi isn't really talking about romantic love at all, even when he uses the language of it. Maybe all his poems about the beloved are actually about God, about the divine, about the force that animates existence. And romantic love is just one path to that recognition, one of hundreds of ways to kneel and kiss the ground.
But I don't think that makes it less complicated. Because even if Rumi is using human love as a metaphor for divine love, he's still describing a kind of devotion that requires complete surrender. Still saying that true love means ego death. Still insisting that you have to lose yourself to find what's real.
"This is love: to fly toward a secret sky, to cause a hundred veils to fall each moment. First to let go of life. Finally, to take a step without feet."
To let go of life. That's the price Rumi says love demands. Not sacrifice in the sense of giving things up, but sacrifice in the sense of becoming the offering. Placing yourself on the altar and letting the fire consume you. And he calls this joy. He calls this freedom. He calls this the only thing worth living for.
Maybe he's right. Maybe the ecstasy he describes, the whirling, the dissolving, the absolute surrender is the highest form of love. Maybe all our attempts to love while maintaining boundaries, while keeping ourselves intact, are just fear dressed up as wisdom.
Or maybe there's something worth preserving in the self. Maybe you can love deeply without disappearing. Maybe the boundary between you and another person isn't a prison but a necessary distinction that allows real relationship to exist in the first place.
"I have lived on the lip of insanity, wanting to know reasons, knocking on a door. It opens. I've been knocking from the inside."
Rumi found his answer. The door opened for him, or he realized he was already inside, or whatever metaphysical truth he's pointing toward. And his poetry is the record of that opening, ecstatic, paradoxical, occasionally incomprehensible.
I'm still knocking. Still trying to figure out if the annihilation he describes is liberation or just another form of loss. Still wondering if you can love someone completely without losing yourself completely. Still asking whether the wound is worth the light.
Maybe these are the wrong questions. Maybe Rumi would say I'm still too attached to answers, too invested in understanding, too busy protecting the self I should be surrendering.
Or maybe some of us are meant to knock forever. To live in the longing without the dissolution. To love from the lip of insanity without falling in.
I don't know. Rumi probably wouldn't care that I don't know. He'd probably say the not-knowing is exactly where I need to be. That the confusion itself is prayer. That I'm already dancing even if I think I'm standing still.
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